Directed by Ralph Levy
Written by Leo Davis, Leonard Gerhse, Howard Snyder, Hugh Wedlock, Jr
Starring Jack Benny, Dorothy Malone, Lester Matthews, Harry Shearer
As you remember from last time, Jack Benny got a lot of comic mileage from the flop of The Horn Blows at Midnight. But he didn’t seem to actually dislike the movie and In 1949, he starred in a radio version. Then, four years later, it appeared on TV on the show Omnibus.
Omnibus was the type of highbrow show that ran in the early years of television, hosted by Alistair Cook, featured programming about the arts, music, and original plays. The Horn Blows at Midnight was an attempt to produce something a little less highbrow and used Jack Benny’s name to get people to watch.
There is one big difference in the setup of the show. The story is not a dream, probably the biggest misstep in the movie. This time Anthaniel (Benny) is an angel to begin with, send down to Earth to blow the trumpet that will end the world.
|Athaniel is given the horn |
that will destroy the world
Benny was in his element on the small screen. It helped that a couple of the writers had worked with him on radio, with Howard Snyder making a career of it. The jokes were changed to play up Benny’s TV/radio mannerisms – his vanity and his cheapness. It’s far more gentle. It the original, Benny wakes up just as he’s about the destroy the world; in this, he starts to think that the world doesn’t have to be destroyed from the beginning.
Alexis Smith is replaced by Dorothy Malone, who was just becoming well known and ended up with an Oscar in 1957. The Chief was now Lester Matthews, who became a very busy TV actor.
Much like the original movie, a child actor became a mildly big name when he grew up. Harry Shearer (as Tom) appeared on the final season of the original SNL and was Derek Smalls in This is Spinal Tap. He also did a lot of voice work, including on The Simpsons.
The show probably was seen by a bigger audience than the original, but that isn’t had to manage. Omnibus was not about ratings. It was sponsored by the Ford Foundation as a way to raise the tone of TV programming and ran Sunday afternoons, a dead time before sports took over. At the time The Horn Blows at Midnight was run, CBS (which aired Omnibus) didn’t even have the rights to the NFL games. They kept in on the air despite weak ratings because of the prestige and the multiple Emmys it won. It switched to NBC for its last few seasons, with episodes also airing for one year on ABC, making it one of the few shows on three networks.
The TV version is certainly not a classic, but there are plenty of good moments it in, and it was more of a success than the movie.