Quatermass and the Pit

 (1967)
Directed by Roy Ward Baker
Written by Nigel Kneale
Starring James Donald, Andrew Keir, Barbara Shelley, Julian Glover
IMDB Entry

Science fiction came to TV early on. One of the first shows in the US was Captain Video and His Video Rangers It will holds the record for the most episodes of a TV show* and set the template for US-based SF as being something mostly for kids. The UK went in a different direction, with several miniseries about the adventures of space scientist Bernard Quatermass**, written by Nigel Kneale, which leaned heavily on horror of a grown-up nature. Quatermass and the Pit was the adaptation of the third of these serials and is a science fiction horror story.

When building a new station on the London Underground, workers discover an ancient ape. Dr, Mathew Roney (James Donald) sees something odd about the ape.  More strangely, a metallic object is discovered.  Professor Bernard Quatermass (Andrew Kier) is discussing plans for his rocket program, objecting to the military, led by Colonel Breen (Julian Glover), attempting to turn it into a military mission News comes to them about the metallic object and, thinking it's an unexploded bomb from the blitz, they go to deal with it.

They soon discover it it impossibly hard. Quatermass thinks it was sent long ago by Martians and when they finally make a hole, they find a creature that looks like a giant grasshopper, that has horns that, in dim light, make them look like the devil.

Breen, of course, pooh poohs the idea and insists it was some kind of German terror weapon.  He's wrong, and the ship has some sort of psychic power that wrecks havoc in London.

The setup is slow and filled with tension.  We know that thd alien craft is some sort of threat, and the movie keeps up the tension by slowly  revealing the situation. I do think the ending is a bit quick after the slow buildup.

This is the third  Quatermass film, developed from a TV series from 1957.  Most of the cast were mainstays of British TV, but I note Julian Glover, who was the last of the Scaroth in one of the best Tom Baker serials of Doctor Who, "City of Death." The film was a Hammer production and the slow build made it quite different from other films from  that studio.

Chuck Rothman's novel, The Cadaver Princess, the story of body snatchers and evil plots in pre-Victorian London, is available from most online book sellers and to borrow from your local library using the Hoopla app.

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*It ran five days a week for almost six years.

** Note the spelling: there is only one "r."