Three on a Match

 (1932)
Directed by Mervyn LeRoy
Written by Lucien Hubbard (screenplay), Kubek Glasmon (story), John Bright (story)
Starring Joan Blondell, Ann Dvorak, Bette Davis, Warren William, Lyle Talbot, Humphrey Bogart, Edward Arnold, Buster Phelps
IMDB Entry

Three on a Match was a pre-code film with several familiar faces, in a situation that would be frowned upon when the code came.

It starts with an extended flashback, where three elementary students are fast friends. Mary Keaton is a hellion, ignoring rules and getting deep in trouble; Vivian Revere wants to marry a rich husband and live it up, while Ruth Westcott has no grand ambition.

They meet by accident years later. Mary -- now Mary Bernard (Joan Blondell) -- is a successful showgirl, while Vivian -- now Vivian Kirkwood -- has married a wealthy lawyer, Robert Kirkwood (Warren William) and has a young son, Robert Jr (Buster Phelps).  Ruth (Bette Davis) is getting along as a stenographer. The three use a single match to light their cigarettes, going against the superstition of the time.

Vivian is unhappy with the marriage, discovering that money doesn't give  her happiness. Robert tries to be supportive, but she feels she needs to get away. He gives her the monty for a trip to Europe. Before sailing, she runs into Mary, who takes her to a going away party, where she meets Michael Loftus (Lyle Talbot), who convinces her to run away with him. Impulsively, she leaves, taking Junior, then vanishes, Robert Sr. is distraught and Mary and Ruth come to support him. Vivian wants a divorce, and Robert asks to have Junior back.  Vivian agrees and once it's final Robert marries Mary and hires Ruth to be Junior's governess.

The movie takes a dark turn. Vivian has lost all her money and Michael is a gambler who owes $2000 to the gangster Ace (Edward Arnold). In a desperate attempt to get the cash, he kidnaps Junior. Ace learns about it and sends his henchmen, including the nasty Harve (Humphrey Bogart).

As you may have noted, the cast is filled with actors who had long careers in Hollywood. Ann Dvorak is quite good as Vivian, a woman who is not unsympathetic despite her actions, and is redeemed at the end. Joan Blondell is good in a dramatic role in contrast to her usual role as a comedienne.  Both characters show change as they go through life. 

Bette Davis does not show much, but there's really little for her to do. She clashed with the director, but the character is there mostly so there can be three people using the match. Warren William as big during the pre-code era and this was a different sort of role for him -- a decent man instead of someone with a scheme.

Lyle Talbot had a long career, moving from leading man to character actor as time went on. He was very busy in television, but is probably best known for his one scene in the classic Plan Nine from Outer Space.

This was Bogart's first time playing a gangster and you can see how well he takes to it. And Edward Arnold was an all-purpose villian on the Warner's lot.

What is interesting is how divorce is portrayed. The code did not allow for it, yet here it's pretty straightforward. Kirkwood realizes it's the only answer, and marries Mary as soon as it's official. The film also straightforwardly portrays Vivian's infidelity.

Mervyn LeRoy was one of the top directors of the 1930s, his reputation starting with the classic films Little Caesar. I am a Fugitive from a Chain Gang, Golddiggers of 1933, and many others.   The movie is fast paced and LeRoy cleverly uses montages to show the passage of time.

The film did poorly, but as time went by, audiences and critics responded to it.  

Chuck Rothman is author of the hidden historical fantasy novel, The Cadaver Princess