Sunday, October 27, 2019

Car 54, Where Are You? (TV)

(1961-1963)
Created by
Nat Hiken
Starring, Fred Gwynn, Joe E. Ross, Beatrice Pons, Paul Reed
IMDB Entry

A 60s sitcom can go pretty far with a catchy theme song. Gilligan’s Island has become a cultural touchstone because of its song. And one of my favorites is from an early 60s comedy that was pretty good on its own: Car 54, Where Are You?*


The show was conceived by Nat Hiken. Fresh from his success with The Phil Silvers Show (aka Sgt. Bilko), he went to another group of men in uniform: the New York city police force.

The show follows the life – you couldn’t really call them adventures – of Gunther Toody (Joe E. Ross) and Francis Muldoon (Fred Gwynn), two partners who are also best friends. Gunther was married to Lucille (Beatrice Pons) while Francis was a bachelor. Their boss was Captain Paul Block (Paul Reed). Toody and Muldoon didn’t often deal with any actual crimes, with the show focusing on their relationship, life as a cop, and their home life.

The show was a success from the start, getting good ratings** and winning three Emmys. In the second season, the cast added Al Lewis as Leo Schnauser, but the show ended after that year.

Fred Gwynn, of course, moved on to be Herman Munster (with Al Lewis) and a TV icon. But that part really didn’t fit the man. A graduate of Harvard – where he was editor of the Harvard Lampoon, he also was an accomplished artist, writing and illustrating The King Who Rained and its sequel A Chocolate Mousse for Dinner. He was able to show a more subtle comic gift as the judge in My Cousin Vinnie.

As for Joe E. Ross . . . well, his life was a mess. He had started out as a burlesque standup comic, and his act was as blue as it could be. Hiken, however, liked the way he looked and hired him for Phil Silvers and Car 54. The success of the show went to his head. He became arrogant and didn’t bother to learn his lines. Hiken even planned to drop him and replace him with Al Lewis, but Ross begged to stay in the role. Even so, he alienated everyone on the set and went back to comedy when it was over. He later returned to TV with It’s About Time, mostly because its producer didn’t talk to anyone who worked with him.

However, Ross was excellent as Toody, his catchphrase “Ooh, Ooh”*** making him a hit. He wasn’t really a strong actor, but he made the show work.

One thing I noted is the willingness to cast Black actors as police officers. It didn’t raise a lot of attention at the time, but the fact that the police force was integrated was something you hadn’t seen on TV back then.  Nipsy Russell and Ossie Davis were not more than background actors with a handful of lines each show, but seeing Black people in the background as though it were no big deal was a big step forward.

The show was shot in New York City. Police cars of that era were painted green and white and, in order to keep people from thinking Car 54 was a real police car, it was painted red and white, which looks the same on black and white film. It helped avoid confusion.

The show pioneered using a different opening sequence. Toody and Muldoon would be doing different things while driving. It wasn’t changed every show (like The Simpsons) but it did change every few episodes.

The show only ran two seasons. The stress of running all aspects of the show, coupled with having to deal with Ross, affected Hiken’s health and he died in 1968. But the short run meant it was rarely shown in syndication.

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*The final line “Khrushchev's due at Idlewild” may see inexplicable today, but at the time of the show, Nikita Khrushchev was head of the Soviet Union. “Idlewild” was the airport that is now known as JFK.

**Helped by its timeslot after Walt Disney’s Wonderful World of Color and before Bonanza.

***It seems to be a phrase he often used in real life, too.

3 comments:

Hal said...

Nat Hiken also cast African-American actors frequently on THE PHIL SILVERS SHOW, with Terry Carter and Billie Allen having regular roles as a Private and WAC at Fort Baxter. And the approach was the same, they were always just there as if it was no big deal.

Hiken also had to step back from day-to-day responsibilities of PHIL SILVERS SHOW after that show's second year, also. And also for health reasons.

Jerry House said...

I loved this show when I was a kid. My father thought it was "damned foolishness." He may have been right.

Dwight Brown said...

Nat Hiken also directed "The Love God?", which is an interesting film: imagine Don Knotts as s Hugh Hefner-esque character who runs a "dirty magazine". (Except he's really only a figurehead, and things are more complicated than that.)

"The Love God?" is his only film credit: apparently, he died after it was completed but before it was released. It might be worth a "Great but Forgotten" entry, though I'm not sure I'd call it "great".