Members: David Cunningham, Deborah Evans
Back in the late 70s, there were two main new visions for new music. One -- punk rock -- was a revolt against sophistication in music, trying to put rock back to its primal roots. The other -- New Wave -- was far vaguer in its definition, but leaned toward more sophisticated and artistics versions of songs. And on the fringes of both were groups like The Flying Lizards.
David Cunningham was a record producer with an interest in the avant garde. He started fooling around with doing covers of classic rock songs with very minimalist instrumentation, and a weird vocal -- more talk than song -- by Deborah Evans. Their first attempt, Eddie Cochran's "Summertime Blues" seemed to have nothing but a drum track and various electronic sound effects. The song didn't do much, but their next attempt, Barrett Strong's "Money" hit pay dirt.
The song was a minor hit. The bizarre minimalism* coupled with the monotone vocals, made a song that you either turned off immediately, or which grabbed your attention. The song got to be #5 in the UK, and came close to making the top 40 in the US, but was a mainstay on the progressive rock stations of the era.
The group was signed to do the two singles, but naturally an album was produced. It just barely charted. The Flying Lizards name continued, with Cunningham's avant garde music, but even though critically acclaimed, it did poorly commercially. Cunningham went back to production and folded the project.
While slightly more successful and somewhat less weird than the Anemic Boyfriend, the Flying Lizards was one of the odder delights of the New Wave era.
*Even down to the production costs: Cunningham claimed the recording only cost £20 to record, a ridiculously small sum.