Saturday, February 21, 2009

Henry Kuttner & C. L. Moore (authors)

Kuttner: Kutter and Moore (1915-1958)/ Moore: (1911-1987)

Modern science fiction started out as a short story medium. Sure there were novels, but many were just "fix-ups" of multiple stories (like Asimov's Foundation) or expansions of published stories. And back in the early days, you could make a living writing short stories for science fiction magazines, with an occasional fix-up or novel.

Henry Kuttner and C. L. Moore came out of that milieu.  He was one of the top writers of his time, and  helped stake out the horror genre after H. P. Lovecraft died.  She was a pioneer for women writers in the genre.

Even the thing that usually gets an author noticed -- making a movie of his work -- didn't help.  Despite the fact that at least five of their stories were made into movies or TV episodes, it didn't help, partly because Hollywood never did them justice.

Kuttner grew up in Los Angeles, and started writing pulp science fiction and horror in the late 1930s. He became a major fan of H. P. Lovecraft and corresponded with Lovecraft as he wrote his own horror stories. It was through this correspondence that he met C. L. Moore.

Catherine Lucille Moore had started writing horror and weird tales a few years before Kuttner.  Her "Northwest Smith" adventures were a big hit, after she had decided to use just initial in her byline so people wouldn't think she was female.* It worked pretty well, since Kuttner first thought she was male. He evidently was quickly disabused of that notion, since they married in 1940.

The two were collaborators. The not only edited each other's stories, but they also wrote them together -- one writing a section and leaving it on the typewriter for the other to add to.  Often they were never sure which person was responsible for what.

So it's hard to put a finger on Kuttner and Moore after their marriage, since a story bylined "Kuttner" would have some Moore in it and vice versa. In addition, they wrote under various pen names, most notably Lewis Padgett and Lawrence O'Donnell.  But the general belief was that Kuttner's stories were more "pulpy" whereas Moore was more "literary."

Kuttner wrote several novels, but none of any particular note. He was best known for his short works, and his most successful series was his Gallagher stories, about an inventor who came up with all sorts of strange devices -- but only when he was blind drunk. In the morning, he couldn't remember what they were for. I don't think these hold up all that well, even if you were willing to accept the un-PC-ness of the concept.

Moore wrote the Northwest Smith** series and another featuring Jiriel of Jory, one of the earliest sword and sorcery series with a female protagonist.

But their best stories -- collaborations to one degree or another -- were classics.  Some of these are:

  • The Twonky.  This story scared the hell out of me, and rereading it today, it has a chilling subtext. A man gets what looks like a TV, but which is an artifact from the future with some sinister features. It was made into a movie, which evidently didn't do it justice.
  • Vintage Season where a man discovers that the people showing up in his hotel are time travelers with sinister intentions.
  • Mimsy Were the Borogoves. Similar in theme to "The Twonky," it's also about artifacts from the future and their effect on children. The title is from Jaberwocky, of course, and there's a tie-in with Lewis Carroll, but the ending is also pretty damn scary. This also was made into a movie -- The Last Mimzy-- which took the concept and turned it into a feel good fantasy.  Pleasant enough, but the change is a desecration.
  • Nothing but Gingerbread Left.  A story about a secret weapon against the Nazis. It's similar in concept as the Monty Python "Most Dangerous Joke in the World" skit.  Python probably didn't know of the story, and they're funnier, but it's interesting to see something similar.
  • The Iron Standard.  Astronauts land on a planet and discover that gold and precious gems are worthless, but iron -- which they don't have -- is prized.  Clever way it turns economics on its head.
  • Housing Problem. A family of "fairy folk" move into a house, and pay their rent in good luck. But the homeowner gets too curious . . .
  • What You Need.  A "mysterious shop" story with a nice twist, good enough to be made into an episode of The Twlight Zone.
  • Absolom.  More horror, about a scary child.

It's hard to say which story goes to which author.  Most critics agree that "Vintage Season" was primarily Moore and I get the impression that the humorous works were primarily Kuttner. But if they can't keep it straight, how can anyone?

Kuttner died in 1958 of a heart attack.  Moore pretty much gave up writing short fiction after his death, teaching creative writing courses and also writing for TV.

Now, both authors are pretty much forgotten, and the science fiction short story is in bad shape.  But they were important pioneers in the field and helped shape science fiction, fantasy, and horror into what it is today.

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*Who, after all, were too delicate and frail to write good pulp fiction, of course.  ;)

**Moore once said the name came from seeing "N.W. Smith" listed as a name.

1 comment:

caseym54 said...

Her "Doomsday Morning" is worth revisiting. IIRC, "Total Information Awareness" meets the computer virus. Written in '57.